Subhankar saha biography for kids
Minakshi Majumdar was initially trained by her mother Smt. Samir Roychoudhury and Prabhat Choudhuri heralded a new phase in Bengali poetry known as Postmodern Poetry with the launching of Haowa 49 and Kabita Pakshik respectively. She has also represented India in Syria and Azerbaijan.
Little magazines resurfaced in this period. The poets such as Manya JoshiMangesh Narayanrao KaleHemant DivateSanjeev KhandekarSaleel Wagh and Sachin Ketkar who emerged from these little magazines of the s bear witness to the social and cultural transformation, writing with a sensibility that is different from the generation that emerged from the movement of the In Bengali literatureit started with Kallola modernist movement magazine, established in Then Bengali poetry got into the brightest light of modernism in the s, through the movement of a few other little magazines, such as Buddhadeb Bosu's Kabita and Sudhindranath Datta's Parichay.
Krittibas first appeared in Kolkata in It played a highly influential role in the Kolkata literary scene in the decades after Indian independenceand provided a platform for young, experimental poets, many of whom went on to become luminaries of modern Bengali poetry. Gangopadhyay later became sole editor, and indeed it is his name that is most closely associated with the magazine. Others who also edited the magazine at one point or another included Shakti ChattopadhyaySarat Kumar Mukhopadhyay and Samarendra Sengupta. The Phanishwarnath Renu issue of the magazine was edited by Samir Roychoudhury.
During several poets left the magazine and joined the Hungryalist Movement. The little magazine explosion in West Bengal took place after when the Hungry Generation Movement took the cultural establishment by storm. In fact it changed not only the types of publication but also the naming of magazines. The Hungry Generation Movement aimed at waging a war against the literary establishment and the decadent society in general. There are other Bengali Writers who raised their voice against the establishment but did not join the Hungry generation Movement.
His projects also include music direction for films and telefilms and compositions for TV serials.GlitZ Adday Subhankar Saha
He has to his credit, 8 album releases so far, and a 9th, composed with Bickram Ghosh awaiting release. Born on 12th AprilOishi Bhattacharyya learnt Hindustani classical vocal music from her father and guru, Shri Goutam Bhattacharyya and mother Smt Bina Bhattacharyya for about 10 years.
She has performed in several classical programmes and was a Junior Scholar under Pandit Arun Bhaduri from 20th August to 17th July He received his initial guidance from his aunt, the late noted classical vocalist Manik Verma and thereafter from Ram Deshpande. Omkar is fast gaining recognition as a regular concert performer. Guided by her mother, Pampa Banerjee Mukherjee started her musical training from the age of six and later learnt from Fazal Masi and Sanhita Mazumdar.
A in Political Science, she has completed her B. She has performed in various programmes in and around the city and also in other parts of India. Her most recent performance was at the Omkar Sabha Festival held in Mumbai in Pampa had rejoined the academy and was a scholar between October and December Born on 13th April in Indore into a family of musicians, Paritosh grew up in a musical environment.
His initial curiosity in music soon developed into an earnest lifelong pursuit. With his mature, rich and sonorous voice, he is fast gaining recognition as a regular concert performer.
Though khayal singing is close to his heart, Paritosh sings tarana and thumri also. Hirabai Barodekar have influenced his gayaki but he does not imitate them and has developed a distinct style of his own. To his mind, music is not commerce but an ART; not a means to material success but an end in itself. And he wants to be closer to this art form through sincere efforts and complete dedication.
Paritosh has been grooming students at the Surtal Music Academy in Rajasthan from He also has several CD releases to his credit. Partha also has numerous solo performances to his credit. Partha has also trained on the tabla for 15 years, starting from the age of 5 and was awarded a Sangeet Vibhakar in tabla from Bangiya Sangeet Parishad in Parthapratim Das, the only child of Late Hirak Kr.
Das started learning music systematically from an early age, first from Shri Shyamal Dasgupta and then from Pandit Prasun Banerjee, the exponent of Patiala Gharana. He went on to train under Pandit A.
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After the demise of Pandit A. Parthapratim Das is now a successful performer of Kirana Gharana. Golden Talents of Bengal, in and was selected by H. He has numerous performances to his credit across India and also in Bangladesh. Consequently he trained under the meticulous care of Smt. He began performing at a young age and his participation in the Junior Talent Programme and the All Bengal Competition, organized by the West Bengal State Music Academy, brought him recognition as he achieved first position.
He also secured first position in Bhajan and second position in Khayal at the A. Pinaki had his initial training from his mother, Bula Bose. As a scholar of the Academy, Pinaki continued his training first under Biresh Roy and later under Arun Bhaduri between andand then again between and May Pinaki received a National Scholarship from the Ministry of Culture in He has formed a group with other musicians and is also conducing research on World Music.
Pinaki has many performances to his credit, notable among them being a concert in Delhi with the late Padmashree Mehmood Dholpuri.
Born inPrasad Gulavani hails from a family with a musical tradition. He is presently a staff artist of All India Radio, Ratnagiri. Born inPrasad hails from Ghatanji, a small town in Vidarbha, Maharashta. He was a regular participant of competitions and conferences all over India. A winner of the All India Radio music competition, his dedication and hard work has brought him many awards. Prasad has worked in Kala Academy Goa, as a Guru and along with his ardent riyaaz, also teaches Hindustani vocal music to students from India and abroad. He also has several CDs and cassettes to his credit.
He was later also tutored by Pandit Bhimsen Joshi. Prasant has had the privilege of performing as a vocal support artiste with Pandit Bhimsen Joshi and Vidushi Girija Devi.
Prasant has been involved in Fusion and World Music and has sung in more than 20 Hindi films. He has groomed participants in various music reality shows like Indian Idol etc. Prasant is on a mission to bring classical music at the same popular stage as light music. His fusion band has performed at the Zee Cine Awards. Mumbai based Prasant is now a prolific composer and singer and also Director of a company called Optimum Ore Creations, which creates concept based shows and reality television. In August he became a scholar under Pandit Ajoy Chakrabarty.
Raghab has since gone on to become a regular performer on stage shows all over and has also made a name as a playback singer in the Kolkata and Mumbai film industries, with a lot of commercially popular songs to his credit. He has also brought out albums in Bengali and Hindi.
His achievements include winning the National Scholarship, the R. Gifted with a powerful yet melodious voice, Rajyasree was initiated into Hindustani vocal music at a young age and went through an extensive training in the hands of some of the most illustrious maestros in this field. A gold medalist both in her B. This training, coupled with her exceptional musical talents has helped Rajyasree develop a style, which, while maintaining the purity of tradition is individual and original.
She is equally adept at both Khayal as well as the lighter semi-classical genres.Explore All Songs, Movie Songs, and more!
Regularly featured on All India Radio, Rajyasree has been performing at some of the most esteemed venues both in India and abroad.
For three consecutive years she was adjudged the best in the Khayal, Ragpradhan and Bhajan categories at the Dover Lane Music Conference. Ininvited by the Bangiya Parisad of Oman she performed at several musical soirees in Muscat and also had a series of successful concerts between in the USA.
After SRA, Ram worked for 5 years at a school as a Music teacher and then went on to devote himself fulltime as a performer and teacher. At least 10 of his students are professional classical vocalists in their own right.
Ram has been the recipient of numerous honours: Gandharva Mahavidyalay has selected him as a guide for doctorial students. Ranjani was initiated into Hindustani Classical Music by her mother, Vijaya. While at the academy she also acquired a rich repertoire of Thumri, Dadra, kajri and chaiti under the guidance of the veteran Vidushi Girija Devi. Endowed with a rich vibrant voice and coupled with immense dedication to her chosen vocation and trained in the Gwalior and Jaipur gharana gayaki-s, Ranjani has, over the years, earned wide acclaim for her performances which are known for their powerful exposition and highly melodic appeal.
Little magazine movement
Her music has reached wider audiences through the publication of many audio CDs which have been critically acclaimed. Parallel to her engagement as a concert performer, Ranjani is also a serious researcher in music and has been awarded a Doctorate in Vocal music. Her research work focuses on studying the stylistic diversity within the Gwalior Gharana through analysis of recordings of a few Gwalior Gharana vocalists from the 20th Century. She has also been regularly interacting with ethnomusicologists Dr Martin Clayton and Dr Laura Leante from the Durham University, UK since the past few years and has contributed to their research in a variety of capacities as a performer, interviewee and collaborator.
She has performed in prestigious venues in India and abroad. Though the young Rashid initially showed little or no interest in music, his tutelage under his illustrious grand uncle, changed the course of his life.
Rashid was six years old when Ustad Nisar Hussain Khan intuitively perceived his latent potential. Ustad Rashid Khan's growth from a child prodigy to a maestro is noteworthy.
He became a scholar at the Academy in April when he was barely The long and arduous training under his guru made Rashid a perfect exponent of the Rampur-Sahaswan Gharana. Finally, from tohe was a guru and a part of the teaching faculty at the Academy Rashid became a Top Grade artiste of All India Radio in his very first audition, and has never looked back since.
He has won accolades for all the aspects of his musical performance — voice, phrasing, virtuosity and sensitivity. The fine balance between his technical virtuosity and artistic creativity has amazed connoisseurs. He is also a master of the tarana like his guru but sings them in his own manner, preferring the khayal style rather than the instrumental stroke-based style for which Nisar Hussain was famous.
He has performed in an endless list of prestigious concerts, in the greatest of festivals in the country and abroad. Though a loyal and proud member of the Rampur Sahaswan Gharana, Rashid has always been prepared to learn and incorporate the best from other gharanas into his renditions. Still, his singing bears a distinctive stamp that is his very own, grand and majestic, yet soul-stirringly pure and simple. Rashid Khan has also experimented with fusing pure Hindustani music with lighter musical genres or in experimental concerts with western instrumentalist Louis Banks. He also performs jugalbandis, along with sitariya Ustad Shahid Parvez and others.
Imbibing a sense of rhythm from childhood, Ratan was attracted to the guitar at an early age.
Starting with lessons from Sri Swapan Kar, when he was all of four, he graduated to taking taalim from renowned guitar player Pandit Debashish Bhattacharya. Ratan has stood first in many prestigious competitions and has received the National Scholarship from the Ministry of Culture, Government of India.
Ratan has been engaged with various fusion music projects and performs all over India with his own fusion band. He performs regularly on television, and has been integrally involved in music arrangement.
He was awarded an A grade at his first AIR audition, an unusual feat for a young musician. Having a keen interest in and understanding of Western classical music as well, Ratan believes in spreading his knowledge to dedicated students of music. Born on 15th NovRoopkatha started her musical journey at a very young age. She completed her B. She did her a M. She then joined Delhi University from where she qualified for her M.
A and M Phil in Hindustani Classical music.
During this period she got the opportunity to continue her professional training from one of the foremost musicians of the Agra Gharana, Ustad Yunus Hussain Khan. She learnt rare ragas and compositions from him. InRuby became a scholar at the I. Sangeet Research Academy in Calcutta where she continued her professional training at an advanced level from the master musician of Agra gharana, Ustad Latafat Hussain Khan. She was awarded Ph. D In Music infor her research on the musical style and contribution of her guru teacher to Indian Music by Agra University.
Fromshe started teaching music in Agra University at the under graduate and postgraduate level.
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An exponent of Khayal, Thumri, Tarana, Dadra and other semi classical forms, Ruby has participated and presented papers in various seminars and symposiums, which have also been published. She has successfully conducted lecture demonstrations to create awareness for Indian Classical Music and continues this endeavour.
Ruby has performed in many prestigious concerts in India, U. A, Grenada, Jamaica and Trinidad. Her second CD, Devanjali, had a grand launch in Trinidad in October and is playing on radio stations, everyday. It is also playing in US,Canada and other countries. Ruchira Kedar received her initial training from her father. She started learning from Alka Deo Marulkar, a vocalist of the Jaipur gharana, since the age of She has since been performing solo and collaborative Hindustani concerts very regularly. Her first solo album released by Sonic Octaves, Mumbai has been getting a very positive response while a popular U.
The label has also released her first solo EP. This is an excerpt from her recent recital at SRA, on January 22, Noticing her innate talent in playing the harmonium, her guru gradually guided her through the intricacies and exacting standards of accompaniment. Maturing into a sensitive and unobtrusive accompanist, she has been a faculty member of ITC Sangeet Research Academy since Rupayan's initial training in music was from his mother Smt.
Bonalata Sarkar subsequent to which he has been taking training under Pandit Arun Bhaduri since He has stood 1st in the All Bengal music competition held in Kolkata in under the Hindustani Classical Vocal category and has performances at Kolkata, Coochbihar, Bhopal, Asansol and Delhi to his credit. Khatron Ke Khiladi Survivor India. Retrieved from " https: Indian reality television series Indian game shows Bengali-language television programming in India Bigg Boss participants.
Like most other dedicated classical musicians, Tejendra started learning music at a very early age under the guidance of his grandfather Bibhuti Ranjan Majumdar and later with his father, Ranjan Majumdar. Tejendra has also received vocal training from Amaresh Chowdhury and rhythm training from Anil Palit. After showing considerable talent in his early teens, Tejendra was taken as a disciple by Ustad Bahadur Khan, with whom he studied for 18 years. Tejendra's repertoire combines elements from the Dhrupad, Tantrakari and Gayaki styles of music.
The brothers are a part of the year old lineage of khayal singing of the Banaras gharana. With their immense skill, imagination, energy and effortless elegance they have raised the status of this genre to new heights.
The brothers started their training under the guidance of their father, a well-known vocalist, Pandit Hanuman Prasad Mishra, and their uncle, Pandit Gopal Prasad Mishra, one of the most celebrated sarangi players of India. With their unique natural talent compounded by their melodious voices, they were able to assimilate the essence of the age-old Banaras gharana with consummate ease. Today they are considered the foremost exponents of the Banaras style of singing.
Since their first concert when they were in their teens, Rajan and Sajan have performed extensively in India and abroad.
It is a measure of their popularity that Rajan-Sajan Mishra, as these brothers are popularly known, command huge audiences wherever they perform. In addition to Khayal, Mishra brothers also excel in rendering the light classical forms such as tappa, tarana, and bhajan.
They have received numerous awards for their contribution to music including the Padma Bhushan inone of the highest honors given by the Government of India. Patri Satish Kumar Satish Kumar, an accomplished mridangam player, is widely known for his unique style of playing which blends seamlessly with various instruments and voices alike. He has been a prominent part of many musical confluences of classical, fusion and jazz genres.
Born into a family steeped in Carnatic music, Satish Kumar was initiated into learning mridangam at a young age by his mother Smt. Padmavathy, an accomplished violinist. He performed his first concert at the age of seven. Satish Kumar subsequently received training under the able guidance of Ramachandramurthy, V.
He was one of co-artists in "Margazhi Raagam" - first ever Carnatic music concert movie.