Salzburg arena sitzplan mark knopfler biography
By an odd coincidence, Mark's boss was another man by the name of Stephen Phillips. It wasn't long before John found himself on stage with Mark.
It was recorded in a room that had been converted into studio in a house in Pudsey.
On graduating from Leeds University in Mark decided to go to London and try to break into the rock scene. He scanned through the music press and finally answered the biggest advert he could find in Melody Maker.
That led him to an audition and a two month stint with a blues band called Brewer's Droop. The band's drummer was a guy called Pick Withers. Pick had turned professional at the age of seventeen and was a very experienced drummer. Having left Brewer's Droop Mark took up a job as a lecturer at Loughton College in Essex where he remained for two years living in a rented flat in Buckhurst Hill, sometimes giving guitar lessons at Staples Road School.
Then brother David came to stay for a few weeks en route to London. The Knopfler brothers would often sit up late into the night playing songs and, without knowing it, to some extent laying the foundations of what was to become, in time, Dire Straits. It was the mids, David moved on to London and Mark went on to form a working band with friends at Loughton College. John recalls first meeting Mark. I walked into the kitchen, started making myself a cup of tea, walked into the lounge and there was this guy lying on the floor with his head propped up against a chair. He was fast asleep, fully clothed in denim with leather boots.
He had a guitar slouched over his waist.
It wasn't long before John found himself on stage with Mark. John quickly realised that not only was Mark a talented and excitingly different guitar player, he was also a gifted song-writer.
During the summer of the three musicians found themselves playing and rehearsing Mark's songs. Yet, something was missing - a drummer. Mark, recalling his brief stint with Brewer's Droopsaid he knew of a drummer who would be ideal for the sort of music they were developing. John recalled that "playing with Pick Withers was fantastic I'd never played with anybody as good as him.
The die was cast. The band's first gig took place on the open space at the back of the Farrer House flats, the electricty provided by a power cable running from the stage into a socket on the wall of John's first floor flat. Punishing rehearsals and live gigs followed.
There was just enough room in the back of John's estate car for the band's equipment and they earned just enough money to pay for PA hire and a round of beers. Many of these songs reflected Mark's experiences in Newcastle, Leeds and London, and were to be featured on the first Dire Straits album the following year: Charlie played the tapes calling upon record company executives to sign this new band: A few weeks later he signed the band to Phonogram's Vertigo label and Mark secured a publishing deal with Rondor Music.
Ed was invited round to Phonogram's offices in December where he heard the Charlie Gillett demo tapes. The date was the 13th of December,and as he walked into the club they were playing Down To The Waterline. Ed recalls, "The first thing I noticed was that it wasn't necessary to stand at the back of the room; they were very quiet. I'd just done The Ramoneswho were deafening The second thing I noticed was that Mark was playing a red Stratocaster, which immediately made me think of Hank Marvin, who I had idolised in the sixties.
He was organising a tour for Talking Heads and was able to put his new band on the bill as the support act.
The rest - as is often said - is history. I once asked Ed Bicknell's former assistant, Liz Whatley, when it was that she realised Dire Straits were going to be really big. She replied that it was the first time she heard Romeo and Juliet. By the mids Dire Straits had released Brothers in Armsone of the best selling albums of all time, and had been tagged 'the biggest band in the world'.
By that stage the recording and touring personnel of the band had changed more than once. Hal Lindes, guitar, and Alan Clark, keyboards, joined.
Then came Tommy Mandel, keyboards, and Mel Collins, saxophone. Pick left and was replaced on drums by Terry Williams. Jack Sonni, guitar, and Chris White, saxophone, were brought in for the subsequent world tour.
The Brothers In Arms tour saw Dire Straits play shows in twelve months to combined audiences of about 2. Within a couple of weeks of the tour finishing Mark was producing Tina Turner but, at the same time, felt he needed to get back to his roots. Long-time mates Steve Phillips and Brendan Croker had teamed-up to form a duo shortly after Mark had left Leeds in In Steve was in London and called in to see Mark who said he fancied coming up to Leeds and sitting in with Steve and Brendan on one of their gigs. This resulted in the three of them playing together at The Grove pub in Hunslet, Leeds, on the 31st of May, The following year Mark offered to produce Steve's next album but Steve suggested that a new album should feature both himself and Brendan.
Guy Fletcher was brought in to help out on the technical side. From this evolved the Notting Hillbillies. Ed Bicknell is an accomplished drummer in his own right and during a meal in a Notting Hill wine bar, Mark sat next to him and said "OK, Ed; we've formed a band, and you're the drummer.
There followed an extensive UK tour to promote the release of the multi-platinum selling album Missing Presumed having A Good Time. Also in Mark was able to release the Neck and Neck album, a joint project with the greatly admired Chet Atkins. Mark brought Dire Straits back together for the Nelson Mandela 70th Birthday Concert which featured Eric Clapton who was standing-in for Jack Sonni as Jack had just become the father of twin girls. Then came the On Every Street album.
The Knopfler family moved to England when Mark was seven years of age, settling in Newcastle-Upon-Tyne, and he developed a passion for music while spending time with his uncle; as he told journalist Dan Forte"I heard my Uncle Kingsley playing boogie-woogie on the piano when I was about eight or nine, and I thought that those three chords were the most magnificent things in the world -- still do.
At 16, Knopfler and some pals cut a demo single that was never released, and he performed in a vocal group that was successful enough to merit an appearance on local television. InKnopfler enrolled at Harlow Technical College, where he studied journalism, and a year later he landed a job at the Yorkshire Evening Post, where he wrote news stories and music criticism.
After two years at the Post, Knopfler opted to return to school, studying English at Leeds University. While at Leeds, he became friends with a fellow guitarist named Steve Phillipsand they began playing out under the name the Duolian String Pickers; while working with PhillipsKnopfler began developing the fingerpicking style that would become his trademark.
After graduating from Leeds inKnopfler moved to London and joined a pub rock band called Brewer's Droopfeaturing drummer Pick Withers.Mark Knopfler - Shangri-La: A Documentary
Knopfler 's tenure with the band was short-lived, and he took a position as a lecturer at Essex's Loughton College. Mark 's brother, David Knopflerwho was also a guitarist and songwriter, introduced Mark to a fellow musician, John Illsleywho played guitar but was also a solid bassist. Bicknell took Dire Straits under his wing and Stainze signed the group to Polygram's progressive and hard rock subsidiary Vertigo Records; Warner Bros.
Dire Straits ' self-titled debut album was released in the fall ofand the song "Sultans of Swing" became a surprise hit single in both America and the U. It was the first of a long string of successes for Dire Straitsand while the lineup would shift frequently over the group's lifespan -- Mark Knopfler and John Illsley would prove to be the group's only constants -- between and the group was a top concert draw and a frequent presence on radio and record charts; their landmark album Brothers in Arms sold over nine million copies in the United States alone, and was the top-selling CD of the '80s in the U.
It wasn't long after Dire Straits made their commercial breakthrough that Knopfler began expanding his creative boundaries. Inhe was invited to play lead guitar on Bob Dylan 's album Slow Train Comingand inhe produced Dylan 's Infidelsas well as leading the backing band.
He also penned the song "Private Dancer" for Tina Turner 's triumphant comeback album of the same name, and found his songs being covered by the Shadowswhose legendary guitarist Hank Marvin was one of Knopfler 's first inspirations. And when Weird Al Yankovic asked Knopfler 's permission to record a parody of Dire Straits ' "Money for Nothing" for the soundtrack to his film UHFKnopfler agreed under one condition -- that he be allowed to re-create his guitar parts for Yankovic 's version.
Weird Al happily acceded to Knopfler 's request. In the fall ofDire Straits played their last concert, a show in Spain on the tour in support of On Every Streetand inKnopfler quietly announced that he'd retired the band, feeling they'd become too big. The newly prolific Knopfler shortly returned to the studio and released The Ragpicker's Dream in the fall of ; a world tour was planned, but after Knopfler was involved in a motorcycle accident that left him with a broken shoulder and collarbone, the dates were canceled.