Zhao mengfu biography of martin
Peking University Press, pp Wang Zhenpeng and his Boya Playing the Qin'.
This is a Chinese name ; the family name is Zhao. The Museum of Zhao Mengfu. Retrieved 5 March Views from Jade Terrace: Chinese women artists, illustrated ed. Indianapolis Museum of Art.
Retrieved 14 December She married ZhaoJun, scion of an old Suzhou family, which traced its ancestry back to the imperial family of the Song dynasty and which counted among its sons the famous official and artist Zhao Mengfu Zhao Jun's father was the recluse-scholar Zhao Yiguangand his mother was a daughter of Lu Shidaoanother Suzhou literatus. Zhao Jun studied the classics with Wen Congjian; thus a more permanent liaison between the two families was perhaps inevitable.
Retrieved from " https: McCausland, Shane 'Seeing Well-being: A revisionist view of Yuan painting'. Transactions of the Oriental Ceramics Society78pp Journal of Song-Yuan Studies42pp Virtual Collection of Masterpieces. Japan Society Proceedingspp A Japanese copy of a Chinese painting in the British Museum'.
McCausland, Shane 'The Admonitions scroll: Orientations32 6, pp Transactions of the Oriental Ceramic Society 66, pp McCausland, Shane 'Private lives, public faces—relics of calligraphy by Zhao MengfuGuan Daosheng and their children'. What's Left to Appear. McCausland, Shane and Hwang, Yin, eds.
Essays in Narrative Painting and Visual Culture. School of Oriental and African Studies.
Percival David Foundation of Chinese Art. Biran, Michal and Kim, Hodong, eds.
McCausland, Shane 'Figure Painting: Fragments of the Precious Mirror'. McCausland, Shane 'Exemplary Complicity: Hong Kong University Press, pp Though he was a descendant of the imperial family of the Song dynasty — and had been educated in the imperial university, inZhao accepted service in the newly established Mongol court.
His paintings were among the first after the collapse of the Song dynasty and its academy of painting to show an interest derived from subjects and styles of ancient masters. Zhao is popularly remembered as a painter of horses in the manner of the Tang dynasty — master Han Ganbut he also painted other animal groups, landscapes, and bamboos.
Referring to the antique, he generally avoided superficial beauty by utilizing deliberately simplified colour and compositions and a schematic, even childlike, rendering of forms and scale. His works often display a great variety of brushwork.
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